Love Your Ears

SOTD 14: The Tallest Man On Earth - Into The Stream (2008)

2009-06-30T23:20:00.003+01:00

Forget the Bob Dylan references and enjoy this artist as he is. That is my firm advice when approaching The Tallest Man On Earth. "Into The Stream" is as honest and true as any of the songs on Shallow Graves and it, especially, features some of my favourite lyrics from TTMOE.

"Our dog dog will drink
Till the oceans gone
And he will pull
Till the collar breaks"

The song seems to be about striving to get away from the beaten path and a journey through life that may be deemed as 'boring'. The message is conjured beautifully with everyday imagery and accompanied by acoustic guitar, itself very central to the song with TTMOE's hard picking and the bright recording.

The Tallest Man On Earth - Into The Stream

SOTD 13: Bjork - Alarm Call (1997)

2009-06-29T21:14:00.003+01:00

12 years ago is a long time in music but this song proves how many people are just playing catch up in the music business. "Alarm Call" catches Bjork in playful mood and as forward thinking as ever. It came on shuffle for me the other day and my immediate reaction was "YES!!", I was genuinely ecstatic at the shuffle function on iTunes for treating me so well.

This is one of Bjork's most optimistic and anthemic songs and it works equally well as a feel good summer song, or as part of the fantastic Homogenic.

"I want to go on a mountain-top
with a radio and good batteries
play a joyous tune
and free the human race from suffering"

Bjork - Alarm Call

SOTD 12: Friendy Fires - Paris (2007)

2009-06-25T23:26:00.004+01:00

Today I have spent a lot of time driving and therefore, with the radio on. This is how I was reminded of this song. The first time I heard the Friendly Fires, to say I was unimpressed would be an understatement, but over time, this song just kept creeping into my life.

Eventually, I conceded defeat! It is too catchy and the production is fantastic. I think the time I decided I actually liked it was on last year's BBC Glastonbury coverage where they performed a stripped down version. I'm not sure if I'm correct, but it also seemed they had improved a lot in a short space in terms of their performance and tightness as a band. Anyway, without further delay, enjoy this perfect slice of summer pop.

Friendly Fires - Paris

SOTD 11: American Football - Never Meant (1999)

2009-06-24T23:07:00.003+01:00

These melodies will open you up completely. American Football & Owen completely changed my outlook on music like nothing I've listened to in the past couple of years (probably until I started with Bjork). I know I'm not the first plaid shirt wearing 20 year old male to say this, but I can't really express how much I like this song with a standard breakdown of it's parts. All you need to know is, it's hyper melodic, has the Kinsella stamp all over it, and is about as pure as music can be. The guys in American Football created these songs and found these sounds because they were in complete control of the procedure, as writers and, as very talented musicians. Here is not a song that is "made" by studio trickery, and the opposite is true, through honesty it retains it's innocence and beauty.

"I just think its best
Because you cant miss what you forget"

American Football - Never Meant

SOTD 10: Tubelord - Night Of The Pencils (2008)

2009-06-23T23:40:00.005+01:00

This is an addition to number 8 and that fantastic gig with Colour. Tubelord are another up and coming band from the Kingston area of Greater London and they are staying together for the time being. Great news!

The band headlined last Thursday and my personal favourite song of their set was "Night Of The Pencils", available on their Feed Me A Box Of Words 7" or through more sinister methods *evil laugh*. Their blend of three-piece rock owes much to Reuben & Biffy Clyro et al, but the band has a command of light and shade that, it could be argued, has the potential to exceed both of these bands. They are already garnering much attention and with riffs like the one that kicks off this song, it's no surprise. Most of all, they know how to back up the recordings with tight and fun gigs that remind you that you're not growing up as fast as previously thought.

This song perfectly sums up Tubelord so far. A clever riff, duel-vocals, switched up time signatures, chantable chorus & a slow melodic section that makes you want to hug friends and shout lyrics. Wow, i'm out of breath. You will be too.

"We're bigger than Memphis
You only exist when I want you to"

Tubelord - Night Of The Pencils

SOTD 9: Hot Water Music - Sunday Suit (2001)

2009-06-21T12:20:00.005+01:00

I was only a late convert to Hot Water Music, around 18 months ago, but they have fast secured themselves as one of my favourite rock/punk bands with top-notch albums like Caution and A Flight And A Crash.

"Sunday Suit" is a great rock song, it's trademark HWM, and Chuck Regan delivers the lyrics with typical venom. Lets not forget that growling bass riff either. This is one of their best songs and a rousing punk song for a warm summer day.

"Sunday suit never fit quite right
Maybe why I never saw your light
Fear had its grip for quite some time
So I obeyed and lied"

Hot Water Music - Sunday Suit

SOTD 8: Colour - Run Like You're Being Chased (2009)

2009-06-19T23:30:00.005+01:00

Today's post is tinged with sadness as Colour, in my opinion one of the best young bands in the country, have recently announced they are to split. Luckily I got a chance to see them last night in Nottingham at the Social and they didn't show any signs of strain, putting on a great show for the lively crowd.

The highlight of the set for me was "Run Like You're Being Chased", the b-side to their last single, "Unicorns". The song itself is a typically energetic effort from the Kingston four-piece, combining lots from their seemingly large bag of tricks. My highlight is the bridge which uses a super-melodic bass riff with broken drumming and minimal guitar to create a sweet groove.

The band show a great deal of imagination and talent for writing original material, especially when compared with many of the new bands springing up around the country. They combine sweet harmonies, mathematical guitar work & intricate rhythms to craft songs that are never short of energy or hooks. The easiest comparisons would be to bands like Minus The Bear but to simply see them as a copy-cat act isn't doing the band justice at all. To see them live you wouldn't realise the shortness of their career, they really are very tight, especially considering the intricate nature of their songs.

Hopefully they will now move on to applying their obvious talent in further musical projects and I wish them every bit of luck in doing so. For now, I'm enjoying songs like this and appreciating my chance to have been part of the wave for a little bit. Enjoy!

Colour - Run Like You're Being Chased

SOTD 7: Jeffrey Lewis - The Chelsea Hotel Oral Sex Song (2002)

2009-06-18T16:44:00.004+01:00

"If i was leonard cohen
Or some others song writing master
I'd know to first get the oral sex
And then write the song after"

I managed to see Jeffrey Lewis at the Hyde Park Picture House, Leeds & today's song is a tribute to a fine gig and Jeff's many wonderful and vivid stories that are told in his songs and elsewhere. Enjoy!

Jeffrey Lewis - The Chelsea Hotel Oral Sex Song

SOTD 6: Sleater-Kinney - Jumpers (2005)

2009-06-17T10:00:00.000+01:00

Although perhaps not the most cheerful subject matter, "Jumpers" is another track which proves how hard Sleater-Kinney rocked, and how sorely they are being missed in the indie-rock business. Sleater-Kinney are never too verbose, they make every line count, and in this song the lyrics are so strong and powerful. The imagery created is beautiful;

"My falling shape will draw a line
Between the blue of sea and sky"

Janet Reiss is one of my favourite drummers and her style really moulds the song together. She is restricted in the verses, building up the tension before gradually building into her trademark frantic and tom-heavy style. Of course, the guitars are excellent, as is the singing, so best to just give this one a real good listen and also check out the official Sub Pop video.

Sleater-Kinney - Jumpers

SOTD 5: Built To Spill - The Plan (1999)

2009-06-16T14:53:00.003+01:00

This is another band I only got into recently, but as I read on audiophinyl, Built To Spill really did lay the foundations for bands like Death Cab for Cutie. I'm a big fan of Death Cab, but Built To Spill definitely let go a little more and this is very evident on "The Plan". Today's track comes from the album Keep It Like A Secret which is a must have for any fans of melodic rock.

"The Plan" is a really well composed rock song, but the stand out, like in so many BTS songs, is the guitar work which really brings the song into a new league. It's not just effects, Doug Martsch and Jim Roth both have really cool styles and that is evident here in piles. The song is built on a really nice, lazy groove which keeps it rolling along.

Most of all, this is a sweet and melodic song. Lyrically it seems to point to people, the world over, speaking of plans and never following them with actions, and you can view that however you like. Is it a political statement? I don't know. But I do know this a great song to enjoy through the summer!

(This video shows clever usage of the song, so I thought I'd choose this over some video of the band captured on a mobile phone. Also, I don't know much about skateboarding, but I do know Marc Johnson is cool as hell and seems like a decent bloke!)

Built To Spill - The Plan

2009-06-15T23:48:00.002+01:00

Just so this doesn't get too serious, I absolutely loved this when I was fourteen... (not like I still like it or anything, not at all)

SOTD 4: Jeniferever - Green Meadow Island (2009)

2009-06-15T18:27:00.007+01:00

Choose A Bright Morning is fast becoming one of my favourite albums from the post-rock tree and, on first inspection, Jeniferever seem to have made another fantastic record in Spring Tides. Today's SOTD of the day comes from the Swede's new record and is titled "Green Meadow Island".

The track begins with a familiar groove, slow and innocent with the lyrics immediate in their delivery.

"We were princes
For a little while"

Jeniferever are not scared to hold and build on a riff and thus, the initial groove of drums & bass, subtle electric guitar and piano is heavily repeated over the first 2 minutes with only very short breaks for a soaring chorus. Strings are gently introduced before the band flips the track on it's head with a roaring off key middle 8. The heaviness and direction of that section seems like new territory for the band and it is something refreshing for a group that could be sometimes accused of being a one-trick pony. Also, the guitarist, Martin Sandström, totally shreds and his off kilter solo is a much appreciated addition.

So, this track really is a great one to show you some off the possible sides to Jeniferever's music and something different within the post-rock genre.

Jeniferever - Green Meadow Island

Check out more here and you can get the full record on Monotreme Records.

SOTD 3: Tunng - Hands (2007)

2009-06-14T10:18:00.005+01:00

I was very slow to get into Tunng, mainly because I always imagined them to be a euro-dance act, but, when I did, I was blown away by their 2007 album "Good Arrows". My particular favourite on the album is Hands, a beautiful song that grows and builds around a central riff.

Tunng are fantastic at packing so much into their 3-minutes and Hands is a prime example of this. A hypnotic acoustic ditty is mainly accompanied by group harmonies and very little else. The vocals are full of reverb and high up in the mix, meaning that they really stick and provide the focal point to the song.

Lyrically the song seems quite obviously to be about mortality. In the video it is said to be about making the most of every moment of our short lives, but I also believe there to be some feeling of guilt from the character described;

"He crawls into her aorta
To pull him out of his reverie
And mentally puts her back together
With sticks and glue until she breathes"

His state of reverie, absentmindedly dreaming, suggests the man is in a state of shock about what he may/ may not have done to this girl. Even so, the song is full of poignant lines and one where the lyrics really do take centre stage.

Tunng - Hands

SOTD 2: Fugazi - Latin Roots (1991)

2009-06-13T10:00:00.001+01:00

"It's time to meet your makers"

This song features one of, in my opinion, Fugazi's most furious grooves. The last minute kicks off with some deep rumbling bass, those tribal tom rolls that Canty had DOWN, and it sets the scene for the song to explode. Guitars screech, wail and riff, all in accompaniment to the aforementioned lyric. It must be added, that it does sound a lot like "it's time to meet Jamaicans"! I could go on about lyrics, but it's not the reason I usually fall in love with Fugazi songs. So, draw your own conclusions and enjoy. I have a feeling this wont be the first song I blog about from the D.C. legends.

Fugazi - Latin Roots

SOTD 1: Smog - Let Me See The Colts (2007)

2009-06-12T11:59:00.005+01:00

This is my first post in a multiple part series I plan to help get me back into blogging on a regular basis. I'm going to try to feature a 'Song Of The Day' every, you guessed it, day. As a huge fan of listening to whole albums, I've taken surprisingly little time in my young life to devote time to single songs and really become enveloped in them. However, during this exam period I started to take more of a concentrated interest in some bands/songs and through heavily repeated listening, thought how nice it would be to write some posts like this!

Let Me See The Colts is from Smog's 2007 album "A River Ain't Too Much" and it closes the album off beautifully. Musically, it's a meandering folk jam which conjures imagery of a late night set in a crowded Midwest bar. You can imagine the musicians just staying up there on the stage, never wanting to come off. Simple strummed chords accompanied by light strings and plodding drums guide the listener through another one of Bill Callahan's fantastic tales.

On a very surface level, the narration gives the idea of a young boy wanting to see the next year's American Football team from the local college. It sparks up ideas in my mind from the film "Friday Night Lights" and that Texan town's obsession with their local team. He even seeks the advice of a wise local gambler, but here lies further meaning.

I personally believe the song to be more about decision making and the future, following one path or another, and the possibilities of leaving everything behind, like a girlfriend, friend and the town one has grown up in.

"Knocked on your door at dawn
With a spark in my heart
Dragged you from your bed"

"We walked out through
The dew dappled brambles
And sat upon the fence"

With a song like this, full of imagery, it is possible to interpret it one of many ways, and I think that is where the beauty lies with this track. It's certainly a song suited equally to listening alone, or with a group of friends.

Smog - Let Me See The Colts

Bjork - Joga!

2009-05-29T01:16:00.001+01:00

Exams are over in 7 days, hooray. The state of emergency will be over.

Joanna Newsom - Ys (2006)

2009-03-25T19:44:00.004Z

Rarely does an album come along as highly regarded and as steeped in mystique as "Ys". A regular feature on favourite album lists of music lovers the world over, I am yet again making up for lost time with this angelic and, quite frankly very hot, harpist, composer and all round genius.

Ys is named after the mythical city of the same name supposedly built on the coast of Brittany, France, and later swallowed by the ocean. That is not where the magic and mystique ends for Joanna as her lyrics are rich and full of ponderings on history, anatomy and an imagination clearly bursting with ideas.

Joanna claims her harp technique to be heavily inspired by West-African Kora playing and the clever uses of tempo and different rhythms render the need for any traditional rhythm instruments unnecessary. She cleverly builds into passages of great emotion, using the technical, interlocking 4/3 patterns to compliment her voice and melodies beautifully. A perfect example of this is the middle section of "Sawdust & Diamonds".

Her control of tempo and rhythm is what I believe to hold the songs together and make them a far 'easier' listening experience than one might expect, however this does not mean they overshadow her songwriting and ability to write stunning melodies. Coupled with a string arrangement that subtly dances across the five tracks, it all combines together very, very nicely.

To concentrate on individual songs would be difficult on an album which is best appreciated in full. While they stand alone wonderfully, I'd find it difficult to preach one as better and, individual favourites can be kept close to heart. For the record, I'm still undecided.

Joanna Newsom - "Sawdust & Diamonds"

Jeniferever - Alvik

2009-03-01T17:46:00.002Z

Came across these guys after listening to Caesura and coincidentally, they are another awesome band from Schweeeeeden. Nice vid too.

Jeniferever - Alvik

All Change: Sweden

2009-02-22T12:06:00.007Z

Hi! As of August time I will hopefully be studying for a year in Lund, Sweden! A massive change for me, made especially different as I will be learning the language from scratch. Luckily I am English (or maybe not so) and they teach in my mother tongue, aswell as having the fact that most other students will be close to fluent. I can maintain the stereotype of lazy english students who put no effort into foreign languages. Hooray for us! But anyway in my excitement, I thought I'd have an e-celebration of this event by blogging a few cool songs by Swedes.

Wildbirds & Peacebirds - Doubt/Hope

Jose Gonzalez - Heartbeats

I am aware this is a very popular song already, but it doesn't stop this video and performance being breathtaking! So yeah, I like music from adverts.

Loney, Dear - I Fought the Battle of Trinidad & Tobago

Here I have quite obviously endulged in a emotional 'Lost In Translation' style video, but y'know, I can assure you I don't cry myself to sleep every night.

The Tallest Man On Earth - Where do my Bluebirds Fly

Check out the sunset shots in this video, well arty...and quite nice.

The Knife - Silent Shout

Hope you enjoy these videos and you can expect more posts very soon. I have alot of catching up to do. *sigh*

(p.s. If anyone wants any mp3's to try, just add a comment and I'll link to them in the comments)

Emmy The Great - First Love

2009-01-26T20:02:00.004Z

Great song and I'm hopefully seeing her play on the 20th February.

Animal Collective - My Girls

2009-01-16T18:59:00.005Z

Here is a track from Animal Collective that is currently sending bloggers the world over absolutely crazy. I am in full agreement with the hype, as this track is definitely something special. It's more poppy that the last record, but sound as if the band have brought together alot of their previous experimentation into a more focused song. Pitchfork have already given Merriweather Post Pavilion, which this is from, a 9.6! Big praise from the 'fork, so keep your ears peeled!

Animal Collective - "My Girls"

Yellow Sticky Notes

2009-01-16T02:01:00.004Z

Being a massive user of these little things, I found this video has really captured my imagination. Currently I'm leaving more than my usual share of notes around, due to revision! This is a small video by Jeff Chiba Stearns; check out more of his work here.

Minus The Bear - Acoustics EP

2009-01-06T00:30:00.005Z

This EP is a little slice of goodness that 2008 almost passed by for me. Luckily I managed to stumble across it as I peeked around another corner of the world wide web, and how glad I am.

"Acoustics" features a single new song, "Guns & Ammo", which kicks off the EP and it is to the same standard that long time fans will be used to. The highlight of the track for me is actually the delicate vocal, something that doesn't always stand out for me in MTB's work.

The rest of the EP is made up of 6 reworked songs, all in the acoustic format. "We Are Not a Football Team" sounds much like the original, at least in terms of notes and tempo but other songs, like popular "Pachuca Sunrise", are given the treatment of a whole new arrangement. With musicians of such a high calibre, all the songs here benefit from their reworkings. What is lost in effects and atmosphere, is gained in clarity and feeling.

Overall, this EP is definately worth a listen and the few pounds it would set you back to actually buy could be easily spent on worse things. While not filled with new material, it is still a very pleasing 26 minutes of music.

Minus The Bear - "Guns & Ammo"

In My Earz pt.3

2008-12-05T19:22:00.005Z

I'm just getting back into this again so hear is another update on my favourite songs of the moment.

Cut Copy - Lights and Music is from the album "In Ghost Colours" which has been on repeat for me over the past 2 weeks. Amazingly produced album and something a little different from my normal taste. Expect a review soon!

John Frusciante - Murderers was shown to me by Shaun, my housemate, and is an amazing song. I think it's on some skate video for Lakai too, not that I know much about skating!

Finally, I have this song, Bon Iver - Lump Sum, which I haven't been able to get out of my head. I know I am not telling anyone anything new when I say this guy has an amazing voice but I do think this song highlights it perfectly. Here is another version done live for US radio:

Explosions In The Sky - The Rescue (2005)

2008-12-05T16:01:00.009Z

The Rescue is a unique record and project in a world where music is increasingly dominated by pressuring labels, pandering bands and consumers for whom an album is only as good as it's first listen. Recorded at, guitarist/bassist, Michael James' Austin house, The Rescue is the band's attempt at compiling a whole album of new material in two weeks, with the first 8 days dedicated to specific songs and the remaining time to mastering those tracks, a task which was also done by the band. With what sounds like a tiny amount of time, especially for a band who claim "it can take us months and months and months to write even a song", many artists would struggle without the tricks of their super producer and session orchestra but Explosions In The Sky still manage to produce something that is interesting, captivating and above all, refreshing.

Of course there are highlights and my personal favourite is the drum and bass led "Day Five" which is the band's attempt at writing "the saddest dance record in the world". The eventual sound is not so much one of sadness but more one of optimism and growth as the initial groove is layered upon with the addition of trademark guitar work and a simple, but effective, piano part. The band claim that this track has the most individual instruments they had ever recorded on a track to date but by no means does the song sound overdone as the contrary is true. The clarity of all parts is what makes this song sound so good.

Other highlights include "Day Two" where the band did the old switcheroo and changed instruments as well as the very odd choice of adding vocals! This results in a classic Explosions style build up coupled with some haunting choral vocals, very much like those heard on the Panda Bear album from last year.

This album is a chance for the band to take risks and experiment in genre which, while different, is often badly done by many bands. What Explosions In The Sky have achieved here is to break down the mystique's of song writing and produce a mini-album which is, not outstanding, but a very fun and interesting listen.

And there is more, it's all available for free here!

Saul Williams Poetry

2008-11-07T17:24:00.001Z

This deserves a mention, even though it is another art form in itself.

Mogwai - Mr Beast (2006)

2008-09-16T00:39:00.004+01:00

Mogwai are a band that I had ignored for some time as I stuck with my oh-so-reliable Explosions in the Sky and blinkered myself from the big scary world that can be "Post Rock". The thing about Mogwai that I never realised is, they aren't really that "Post Rock". They don't differ in a "16 minute long feedback epic" (see Boris or Godspeed) kind of way but instead in a way that means they just happen to write more interesting melodies, arrangements and songs than most British bands. Sorry Coldplay. They write the kind of music that conjures up anger about inferior bands, say, the Ting Tings. If Mogwai we're a steak, the Ting Tings would be a party sausage. No substance and supported by a little prick, sorry, I mean stick. Anyway, I have digressed.

Mr Beast is the bands 5th studio release and while not always critically acclaimed, contains enough stand out material to keep a wide eyed new fan like me entertained. The album is a dynamic and exciting listen with each track retaining enough stand alone value to shine individually. My personal favourite, "Acid Food", is a beautifully subtle song with it's steady beat and wondering bass providing the platform for truly stunning guitar work. However simple at times, the guitar harmonies are just perfect.

In contrast, the following track, "Travel is Dangerous", highlights the switches in style that the album takes by providing a brooding 4 minutes which explodes in aggressive fashion before simmering down again. Underneath the melodies and vocals lies a tight and interesting rhythm section which coaxes you through the opening bars and beyond.

The rest of the songs ebb and flow like the two highlighted with particular mention to the piano led opener, "Auto Rock", and the grand closer, "We're no Here". If you have even a bit of time for some intelligent and moving music, try Mr Beast. It will satisfy your hunger!

Mogwai - "Acid Food"

Vessels - New material

2008-08-05T16:59:00.007+01:00

A while back I attended the Live at Leeds festival and discovered local experimental-rock band, Vessels. Thanks to Ben from Cuckundoo Records I now have a single and it is seriously impressive. I mean, seriously.

'A Hundred Times In Every Direction' is best described as a journey. There are subtleties here I never realised in the live setting and I can already see the progression the band is making. Bands like Mogwai and Explosions in the Sky have pushed themselves further into the record collections of the average muso and people are no longer scared of those long and intelligent song structures that such bands bring to the table.

Vessels manage to pack a lot into their 6 minutes and 24 seconds but this isn't one of those 'epic' songs that really leaves you waiting too long. It hits the spot, right from the first bar. Beginning with light percussion and subtle noodling the track explodes around the 90 second mark. Hello Deftones fans. I think I've found something. After we're gently eased out of the madness, the real genius begins. Harmonised vocals, a beautiful lead melody and the super technical rhythm section is tight as always. I have to say, the vocals remind me a little of Biffy Clyro circa 'Infinity Land' but this is by no means a bad thing.

Anyway, this is a really promising song from a band that needs attention. Make sure you check them out or see them live in the coming months. Check the label page for gigs and the new album.

Vessels - 'A Hundred Times In Every Direction'

Richard Hawley

2008-08-04T00:32:00.004+01:00

Recently, I have been listening to the albums 'Late Night Final' (2001) and 'Coles Corner' (2005) a lot. I cannot get enough of his classic voice and the lush arrangements. The latter album gained a, rather late, nomination for the Mercury Prize in 2006 but the award in question was won by the Arctic Monkeys, then fresh faced and new on the scene. Hawley's fellow sons of Sheffield were quick to make a nod of respect his way with Alex Turner announcing, in his acceptance, that Hawley had been 'robbed'. Enough of the interesting facts though, here is a track from that album. Remember, Alex Turner likes it!

Richard Hawley - "The Ocean"

Independant 20th July

2008-07-31T23:14:00.001+01:00

http://www.independent.co.uk/arts-entertainment/music/features/does-the-world-need-another-indie-band-870520.html

Matthew Bayly

2008-06-28T00:44:00.002+01:00

Here is a short film on our friend Matt Bayly, credit to a guy named Shane Chapman. Check out his myspace too.

matthew christopher bayly - short music promo (preview)

Bullet For My Valentine - Hearts Burst Into Fire

2008-06-21T11:35:00.002+01:00

Is this like the most perfect recent metal song? Why do I love it so??

*horns*

I am 19.

2008-06-21T00:05:00.002+01:00

So, this week I turned 19 and I am now in reflective mood. What is different? Can I provide enough tenuous links in this to music? Am I 'blogging'? Yes!

Firstly, I am one third of Big Elephants, a radio show on LSRfm which will hopefully be returning for it's second spell in September. We play music like this;

Bright Eyes - "Four Winds"

Meanwhile, I listen to more 90's Alternative American Music than previously. WHO CARES!? No-one, and they never really did. That's what makes 90's Alternative American Music good, and special. Case Study;

Sunny Day Real Estate - "Theo B"

My pre-requisite for friends has changed. Previously, they could be anyone. Then they could be anyone with suitable music taste. Now they could be anyone again. Anyone who listens to this cannot afford to be choosy;

Paramore - "That's What You Get"

I still love this album;

Death Cab For Cutie - Narrow Stairs (2008)

2008-06-20T12:34:00.004+01:00

"I descended down a dusty gravel ridge", the opening line which leads us into DCFC's 7th release, Narrow Stairs. The album, mixed by guitarist Chris Walla, is their first in one continuous mix and so the descent seems entirely appropriate for an album best listened to in it's entirety.

The opener "Bixby Canyon Bridge" is a slow burner, which builds and builds before exploding and then fizzing out with the electrifying guitar work at the end. It then leads on to the first single, which has been both lambasted and applauded by fans and critics. Whatever your thoughts on the 4 minute introduction, it is no doubt that the band have taken a brave step and this really is no "Sound of Settling", the hit present on every OC fans iPod. For the record, I love this song and I see the introduction as completely integral, especially when it is all build up for possibly the best lyric of the year;

"How I wish you could see the potential, the potential of you and me
It's like a book elegantly bound, but in a language that you can't read"

After the indulgences of the first two songs we then have some more typical rock tracks, but these are by no means throw aways. Not only are songs like "Long Division", "No Sunlight" and "Cath..." very integral on record, they are songs that should translate brilliantly into the bands live set. "Cath..." in particular is as catchy as a pop song can be, while still maintaining enough interesting instrumentation to sound fresh. The gentle riff at the start gives way to a more staccato rhythm as the song develops and the transitions between light and soft are simply beautiful. The Death Cab live set has been one part of the bands arsenal that has often been criticised, especially after 2006's gentle Plans which, while critically acclaimed, struggled to win over all spectators on tour. However, even after the first three songs on Narrow Stairs I already find myself clambering for a chance to see the band.

Of course, DCFC aren't always about rocking out and it has often been Gibbard's softer efforts that have found their ways into fans hearts the world over. "Grapevine Fires" begins with a relaxed drum beat before meeting equally inclined instrumentation, a brooding organ, the perfect foil to Gibbard's harmony. It is another reminder that the band really have decided to experiment more, especially as this song touches very dangerously on AOR while still just managing to remain different enough and totally listenable.

It is in no question that the band have changed on this record. There are new sounds, ideas and attitudes conveyed in the 44minutes and 50 seconds, all well tied together by the bands ability to write and perform top quality alt-rock songs. Lyrically, you could write another review on Gibbard alone as he writes from other perspectives, "Your New Twin Sized Bed", and takes inspiration from literature such as Kerouac on "Bixby Canyon Bridge", while of course taking much of his own inspiration as well. The band tie together exactly how you would expect one of 10+ years experience to do so with Walla's razor sharp guitar cutting through the mix at the most important times, and the rhythm section both experimental, tight and often, a necessary part of the melody (see the Single!).

Death Cab For Cutie - "Cath..."

Death Cab For Cutie - "Grapevine Fires"

myspace

Wildbirds & Peacedrums - Heartcore (2007)

2008-06-19T13:45:00.004+01:00

I picked this record up at Jumbo Records in Leeds, on recommendation and have had it over a month now. So now, I have chosen to write about it, finally! That, and the fact that I'm back from university and unemployed. But, I digress.

Wildbirds & Peacedrums are a Swedish two-piece, semi-rooted in the blues, but to describe them that simply would be an injustice. Mariam Wallentin's vocal is anything but ordinary, and often verges on that of The Knife before veering off into the weird and wonderful. The instrumentation is heavily rhythmic and can differ from simple percussion to heavy drum passages, all by drummer/vocalist Andreas Werlin. Any other instruments are electronic but these are sparse and only feature on a few tracks.

The start of the album is so sparse you almost wonder in anticipation at some explosion of sound, but eventually you can begin to appreciate the simplicity of those first few tracks. My personal favourites are in the middle of the album, the jumpy "Doubt/Hope" with its danceable drum beat and the atmospheric synth's of "The Battle In Water". In truth though, this really is something truly different and that is saying something in an age of music where that word is so difficult to use. It may be a tough listen at first, but persevere with this duo and you will be rewarded.

Wildbirds and Peacedrums - "Doubt/Hope"

myspace label

In My Earz pt.2

2008-06-19T12:23:00.004+01:00

It's June, my month of birth, and here is another update on the songs that have captured my attention recently!

Death Cab For Cutie - "Cath..." from the album Narrow Stairs.

---

Elliott Smith - XO

Until recently I always considered Either/Or to be my favourite Smith album, but the sheer perfection of XO has finally caught up with me. Tracks such as "Baby Britain" and "Independance Day" have to be some of the greatest pop rock tracks ever penned, arranged and recorded.

---

Arcade Fire - "Une Annee Sans Lumiere" from Funeral.

---

Fleet Foxes - "Mykonos" from the Sun Giant EP.

In My Earz

2008-05-14T10:25:00.004+01:00

So, I've been thinking about posting a little more regularly and letting people know more about what music has kept me ticking over the past few days. No better way to do this than with a little run down of my recent listening while revising;

The Decemberists - EVERYTHING! Including YouTube vids!

Lightspeed Champion - Falling Off The Lavender Bridge (esp. Dry Lips)

Fugazi - Live in Irving Plaza

Sunny Day Real Estate - LP2 (both courtesy of Zen and the art...)

Smashing Pumpkins - Bodies!!

The guitar riff is so good with that constant rythmn, took my ever wise Dad to point it out but now I'm hooked!

Live at Leeds '08

2008-05-04T15:28:00.010+01:00

Live at Leeds is a live music event which spans all of the cities independent venues, showcasing a huge range of Yorkshire's new talent, along with a few special guests.

This year, due to perfect weather, great company and constant supply of a certain chilled beverage I probably didn't get to see as many acts as I should but despite this my first experience of the event was a brilliant one. Here is my rundown of my top 3 of the day, in no particular order;

Vessels are a progressive rock/metal band who use unique time signatures and highly technical guitar playing to create frantic, but often beautiful songs which bridge the gap between a both the indie-rock and metal crowd's. Taking to the stage at around half 2 at Leeds Cockpit, the band found themselves a large audience in the main room and immediately launched into a heavy riff, captivating most of the crowd. Central to their stage presence is gifted, and charismatic bassist Martin Teff but the whole band worked hard to present a decent show. Definitely one for listeners with the time.

For fans of: Tool & Explosions in the Sky

website myspace

Mi Mye are a rousing folk band from around Wakefield, England who took to the Cockpit's smaller stage at around half 5. Charming lyrics and driving rhythm's ticked boxes for most of the tightly packed crowd and these local favorites had many of their friends singing a long, bringing a warm communal atmosphere to the gig. This is definitely a fun band to check out, if only for the amazing double bass that has been lovingly restored.

For fans of: Architecture in Helsinki & Twee!

myspace

Flowe were first on at the Faversham and despite playing to only a few "early risers" their brand of "folk n roll" immediately set a standard few matched for the rest of the day. With cheeky smiles, quaffed hair and a firm stance against electro, the boys definitely had the style, but they had the substance too with catchy dual vocals backed up by a tight, but creative rhythm section. One's for the future!

For fans of: The Good Life & Bright Eyes

myspace

Ape Dos Mil

2008-05-02T02:55:00.003+01:00

I cannot get this song out my head! Still listening to so much Glassjaw a fortnight after rediscovering them. Check out this video,

Broken Social Scene - You Forgot It In People (2003)

2008-04-26T01:49:00.003+01:00

Less is more seemed appropriate enough for BSS’ debut but second time round, that famous mantra was out of the window as they handpicked friends and artists from Canada’s music scene to help create You Forgot It In People. Behind every composition is a lovingly created song, brought to life by the talents present in the now 10+ strong ranks. Whether it be the lazy groove of “Looks Just Like The Sun” or “Almost Crimes” pounding beat, BSS never sound out of place and the album ties together in a story like fashion, beginning, middle and end all serving their purpose. The listener is coaxed out with the dream-like "Lover's Spit" and "I'm Still your Fag", totally suitable after the exhausting start, crashing cymbals and all.

Broken Social Scene - "Looks Just Like The Sun"
Broken Social Scene - "Lover's Spit"

New LCD Soundsystem, film track.

2008-04-11T00:59:00.003+01:00

21, the latest gambling flick set in Las Vegas, is the lucky benefactor of this brand spanking new LCD creation and some treat it is.
The track begins with a very "80's synth rock" drum beat which I can see fitting perfectly in the movie. Add to this a snaking bass riff, twisting and turning around the rigid drums, and various echoed synth's and you have yourself yet another tune worthy of any dance floor worldwide, and any headphones too. The icing on the cake is Murphy's charismatic vocal and a solid sing-a-long chorus.

LCD Soundsystem - "Big Ideas"

Roots Manuva - Brand New Second Hand (1999)

2008-03-29T12:35:00.003Z

At it's time of release BNSH was seen as the most innovative hip-hop album in years and too this day it hasn't lost one ounce of it's individuality.
Heavily rooted in dub-reggae beats and Rastafarian culture, Roots Manuva (Rodney Smith) takes each beat and makes it his own with his engaging flow, operating like an extra instrument with the twists and turns of his complex rhymes.
First and arguably best track, "Movements", combines a dark and mysterious synth with a pulsating beat, simple yet effective, and providing the perfect canvas for Smith to complete with his words painting a vivid picture. On the chorus you hang off each word, "left...right", appreciation of the sheer perfection of this track.
The album title is a nod to Smith's modest upbringing and a phrase his mother used to use, but the themes of growing up, strength and battling inequality shine through amongst the most 'English' of lyrics,

"I'll slap the bacon out your mouth, dance upon your sarnie"

Such words provide the laughs amongst some serious content always spoken with utmost integrity, and an album which has and will, stand the test of time.

look buy

Roots Manuva - "Movements"
Roots Manuva - "Wisdom Fail"

New Music: Rotary Ten

2008-03-20T12:23:00.004Z

(photo courtesy of the band's Myspace)

Rotary Ten are a four-piece who find themselves sat happily between the spiky rock of bands like DCFC and gleeful guitar crescendo's of Explosions In The Sky. A couple of weeks ago I was lucky enough to catch them in Leeds, at a gig that was unfortunately very poorly promoted. However, the band who hail from Sheffield/Lincoln, managed to illuminate the faces of all present with their delightful intricacies, airtight rhythms and enthusiasm, especially in front of what was a surprising crowd for them. Having played together for over 5 years the band are far more comfortable in the live setting that many established artists.

Now signed to Xtra Mile records, home of artists such as Frank Turner, the band deserve, and should have, a bright future. Single "Time is not a Line, and I am not a Rock" is an immediately like able, yet refreshingly rewarding song and it is the perfect way to introduce you to, Rotary Ten.

look myspace download

(Apologies for low sound quality)

New Death Cab song leaked!

2008-03-19T18:53:00.004Z

Yes, long awaited new material from the much-loved Death Cab For Cutie has been spreading like wild fire over the past few days. "I Will Possess Your Heart" is a clever release and it definitely finds DCFC at their most creative, a real testing listen for those who are more like single fans than hardened vets.
The spiky bass riff and minimal guitar certainly take their time but those who stay around for the vocals will not be disappointed making this even the more satisfying, even on first listen. Enjoy!

From the forthcoming album, "Narrow Stairs" - May 2008, Death Cab For Cutie - "I Will Possess Your Heart"

Panda Bear - Person Pitch (2007)

2008-03-19T16:46:00.005Z

We all make mistakes, and I made one at the beginning of this year. Failure to include this record in my best of 2007. Infact, a little secret, I made a mistake long before. Failure to listen to this record in 2007!?

Okay, stay with me. Back on topic. Panda Bear (or Noah Lennox) has created something special here, an album which has caught the imagination of music lovers worldwide. Cleverly recorded using a multitude of samples, from the smallest of birds to the repeated percussive sounds that hold the songs together, the tracks flow seamlessly from one to another, creating a mood, far stronger than the songs them self.

Each listen gives the you chance to unearth more from this musical box of treats. For me, the centerpiece is the 10minute+ "Bros" which blossoms into a beautifully deep song, topped with Lennox's echoed vocals. Sounds are as diverse as you will find in modern music, an example being the leap into the choral vocals in the following track, "Im Not" which is almost built on vocal loops alone with only subtle percussion in support.

The special thing about this album is, it allows you to escape and it gives to the listener on every single spin.

look buy download

Back in Black...and white, and red...

2008-03-19T16:44:00.001Z

Yes, the blog is back. Comment and request through the posts and if you want links, and vice versa...give me a message for that too.

Josh

Re-vamp

2008-03-01T17:33:00.003Z

As of March I'm going to be looking to take the blog in a new direction, change the layout and styles along with the kinds of posts. Gone will be most full album downloads, unless they are requested by people, and in will be single's and mixtapes. In that case, I'm looking for anyone who wants to contribute, wants photos up etc in order to try and move the blog forward.

+ I need to put more effort in!

Stay tuned,
Josh x

Explosions In The Sky @ Manchester Academy 1, January 29th

2008-02-03T13:22:00.000Z

I was full of anticipation for this gig, a new venue for me in Manchester and much hype surrounding EitS as a live act. Of course, as the band produces such beautiful and professional albums I was fairly hopeful that they wouldn't disappoint but I was still a bit nervy for this one.

The opener was Eluvium, an ambient solo artist from Portland, who builds up quite intense and heavy musical soundscapes using mainly his trusty Fender, a keyboard and his looping pedal which he would be lost without! Eluvium is someone for listeners with utmost patience and he was very appropriate for this support slot, brooding and building anticipation for the main event. However, aside from the relatively short 'Radio Ballet', I don't think he is someone who I could listen to while just at home.

Around 9 o'clock the spectacle begun with the guys from Texas entering to a rousing applause from the huge Manchester crowd. They played a set which spanned all material although there was a lot of focus on the latest effort, 'All Of A Sudden I Miss Everyone', with most tracks being played from that. As well, there were some classics from 'The Earth Is Not A Cold Dead Place' with 'First Breath After Coma' being a particular highlight, the marching drums and jittery guitar riff combining to create such an amazing staccato sound. As I was promised, the sound was excellent and this goes for both the band and the venue.

An extra bonus for me was the bands tremendous stage presence. Bassist/Guitarist, Michael James, an ever present in the centre of the stage, flanked by the guitarists either side, Mark Smith being the epitome of cool and Munaf Rayani, his complete opposite as he twists and turns. Before them lays an absolute abundance of pedals and processors, which I'm sure they used to effect as the gig was simply breathtaking. Last mention goes out to the drummer who, aside from being solid as a rock, is the glue that brings EitS together with his never predictable, but always suitable style.

Explosions In The Sky: The Birth and Death of the Day

Boredoms - Vision Creation Newsun (2001)

2008-01-29T13:46:00.003Z

First brought to the attention of the world through their support slots with Nirvana, the Boredoms have been part of the fabric of the indie-rock scene for over 20 years now. However, they are still pushing boundaries today and picking up new fans, like myself.
On this album, VCN, they create a hypnotic sound scape which mixes their distinctive tribal percussions with dreamy electronics. My favorite track on the album, (Tilde), starts uses a breaks-y drumbeat to amazing effect, gradually layering the blips and beeps on top. I find they are the perfect accompaniment to work or the such like, as they're probably abit too frantic to totally relax too.
Download
Buy

(picture: http://tirck.blogspot.com)

Also, on the 7th July 2007, the band were once again pushing boundaries with their 77 Boa-drum concert in New York, a spectacle which brought together (you guessed it!) 77 drummers on what looked like a beautiful summers day. Check out this video.

At The Drive-In - Vaya EP (1999)

2008-01-24T00:31:00.000Z

Cheeky download of ATDI's short but sweet Vaya EP. This EP shows them at a very strong point and is often regarded by fans as one of their most important releases. Just before the seminal Relationship of Command long player, this features exclusives such as the frantic "Proxima Centuari" and others which can be found in other guises on the best of, released in 2005. Enjoy!

Download
Buy

Pharoahe Monch - Desire (2007)

2008-01-23T15:15:00.000Z

I'm usually more of a fan of laid back beats, but Desire hits you with it's upbeat mix of styles right from the off and the production is exempt throughout. The Trilogy towards the end of the album, a three section song possibly about the break-up of a love triangle, provides the most jazzy beats in the latter sections. Everything is here in the big melting pot of genre's, a hyperactive nod to Public Enemy on "Welcome to the Terrordome" and more soulful R'n'B styles on track's such as "Desire" and "Push".
While the beats may occasionally be hard to get your head around, the lyrics are pretty much a relentless flow as PM proves his worth and talent. He is charismatic and distinctive, ever evident on Desire.

Download
Buy

Wilco? Recommendations please!

2008-01-20T19:09:00.000Z

After finally deciding that Yankee Hotel Foxtrot is a classic I have been addicted to Wilco but now I want to know what's best to listen to next? Which is your favourite album and could anyone upload me some?

Thanks,
Josh

Rodrigo Y Gabriela - Rodrigo Y Gabriela (2006)

2008-01-15T13:44:00.000Z

I'd known about Rodrigo Y Gabriela for a long time before I got hold of this and I have to be honest, I'd put off listening just because I expected it to be so difficult to get into. The truth though, is that I couldn't have been more wrong.
The mix of guitar techniques by the extremely talented pair makes for an engaging and fun listen and the percussive nature of the Spanish guitar really stands out, especially to someone who hasn't listened to much music like this before.
Favorite track would have to be Ixtapa at the moment for the violin solo in the second half, amazing!

Buy

House of Brothers - Deadman EP (2006)

2008-01-12T13:45:00.000Z

Sweet melodies, lush production and soft vocal that evoke thought's of Iron & Wine are all reasons why this debut EP from 21 year old Sam Jackson is a success. Hailing from my hometown of Nottingham it's a wonder I haven't seen this guy yet, although hopefully I'll be catching him in March where he is on a small UK tour. The title track Deadman is available on a free download from his Myspace and is definitely worth checking out. Be prepared to hear more from House of Brothers very soon!

The Albums of 2007!

2007-12-28T15:29:00.000Z

Best of lists seem to be the bread and butter of any blog these days so here is my side of the story that has been 2007's albums. Remembering I am not superhuman, and haven't listened to everything out this year I am going to be explaining my top 5, just the big deals!

1) LCD Soundsystem - Sound of Silver
It is hard to place this above the others, especially as this has been such a good year for electronic music and also with every man and his dog either agreeing, or shooting anyone down who does for latching on to the trends. However, there is something that happens when I listen to this, and it's the thought that people will still be partying to these classic tunes for many years to come. For me, this album represents 2007, perhaps along with one other, and this is why it is sitting pretty at the top of the pile.

2) Kings of Leon - Because of the Times
Arguably the biggest band in the world at the moment (until the return of Radiohead), coupling an immensely popular No.1 album with breathtaking live shows spanning the US and Europe. For many, this wouldn't be at all 'cool' however, I'd rather a band making music like Because of the Times be the biggest in the world than many others who find themselves splattered across the worlds publications and websites. Filled with potential singles, interesting and tight musicianship, and quirky takes upon the history of rock music this album was almost impossible to separate from the one above. It still was the rock/pop album of the year for me.

3) Frank Turner - Sleep is for the Week
Hilariously funny and starkly truthful lyrics underpin Frank Turner's debut, an album that lead the way for me, for most of the year. On the 13 tracks he doesn't put a foot wrong and they all offer us an insight into different corner's of his mind. Underpinned by a sense of melody and rhythm which bridges the gap between quirkiness and pop appeal this LP was a real triumph of 2007!

4) Feist - The Reminder
1, 2, 3, 4, is Feist "cool" anymore? That is the question many seem to be asking, and one which seems seemingly strange when you realise that Feist's lead single, and advertisers dream, is another hark back to classic 60's pop, something hardly unusual for either the artist nor the whole indie-pop (eugh, genre's!) scene as a whole. The whole album, like Turner's above, doesn't really disappoint throughout and seems a natural progression from 2005's Let it Die. For me the success is deserved and this is an album which will appeal to many, so all the better that it has reached them.

5) mewithoutYou - Brother, Sister
For a moment I thought I'd gone soft but here are mwY to provide a suitable end to the list with their unmistakable brand of alt/rock. As a bass player the first thing I noticed about this album was the super-tight rhythm section and clever, melodic bass lines which sit prominently amongst the mix but to singly focus on bass alone (although bass player's never get enough credit!) would be to ignore the band as a whole, who are very proficient in all their respective instruments. The style's really vary across the album and it is aided by brilliant production, especially in the opener where the light rain is broken by those fast-paced ringing chords. Topped off by deep and introspective vocals, there is longevity in this record and always something to keep coming back to.

That was my personal highlights of this year and the records I feel have offered the most. There are several other records of note I'd like to run through real quick though!

M.I.A - Kala - With artists like LCD, Girl Talk and others M.I.A has pushed the envelope this year and this was a record which has topped many proper music journo's lists. Left out alot because she canceled on Nottingham! This wave of dance has helped to make wide-eyed freshers like myself even more aware of the super-hip, vice-led scene which populate the globes coolest districts, bringing it a little closer to rural England!
Band of Horses - Cease to Begin - Like a rolling ball of snow (my effort to be seasonal!), BoH are rapidly picking up admirers across the world but this record just didn't quite match their debut for me.
Biffy Clyro - Puzzle - Really fun album, just off the list as I've found I haven't listened much since that first month. Much like Zeitgeist too.
James Murphy & Pat Mahoney - Fabriclive 36 - If I felt compilation's were worthy this album would be sitting up there with the best but unfortunately I don't and possibly the funnest album of the year will have to be content with this mention.

There you have it, my list and please reply with your favourites of the year. I'm aware of the Animal Collective, Burial and, of course, Radiohead efforts along with many other's but I just couldn't put down stuff that I haven't given my full time to!

Hope everyone continues to have a good seasonal time,
Josh x

Radiohead - Amnesiac (2001)

2007-12-03T19:01:00.000Z

New month, and I will be updating again hopefully. I've totally lost track of the blog and been awful at updates!
Anyway, what an album to return with. I've never been a fan of Radiohead up until recently, but now I have discovered the beauty of Kid A and Amnesiac, I am converted! (to the electronic stuff at least!)
A mix of glitchy beats, and ambient soundscapes, Amnesiac is a really fulfilling album. Of particular note is the brilliant drumming on the less electronic tracks, which has a real jazzy feel. Pitchfork gave this a 9.0 despite many critics complaining about it not being a return to the traditional rock format.
My favorite track would be the normal cliche, "Pyramid Song" but also of note is the opener "Packt Like Sardines..." which lyrically, is meant to address those expecting Amnesiac to conform back to those rock roots,

"after years of waiting / nothing came / and you realize you're looking / looking in the wrong place / I'm a reasonable man, get off my case"

Download
Buy

Two Gallants @ Cockpit – November 7th

2007-11-27T15:33:00.000Z

The general idea of a support band is to warm up the crowd and the magnificent Blitzen Trapper had their Cockpit crowd positively toasty after a rousing set which saw their breed of southern rock take many twists including the odd bout of psychedelia.
The main event was San Francisco’s Two Gallants who, as guitarist/vocalist Adam Stephens was keen to point out, carry a very loyal and enthusiastic fan base, evident on this evening especially as 2G’s appearance on stage to help set-up brought early cheers from all corners.
When they appeared for real, anticipation was soon turned to pleasure for the crowd as the band launched into a fierce and rousing performance of ‘Two Days Short Tomorrow’. Two Gallants create an immense sound to experience live, the mixture of unique finger picked guitar and frenetic drums creating a truly full sound. Showing their talents across loud and softer efforts from all three albums the band never ceased to impress and show commitment to the cause. The set ended with ‘Las Cruces Jail’, a crowd favourite, which gave us all plenty of chance to sing (or shout!) along.
However, this wasn’t all as there was a special surprise waiting for drummer, Tyson Vogel, as Blitzen Trapper and his band mate invited the crowd to surprise him with a Birthday sing-a-long and afterwards to finish once again with a final song, the euphoric, ‘Nothing To You’. A brilliant ending to the gig, and one, which seemed to leave all parties smiling.

Something to read...

2007-10-30T13:33:00.000Z

Just found one of the best articles I've read on pitchfork, (we all know some of their stuff is painful too!) and thought I'd point it out to any passers by. This is of special interest to any Brits out there like myself,

Poptimist 9

NaS - Illmatic (1994)

2007-10-29T18:22:00.000Z

Absolutely definitive album from '94. Slick jazzy beats provide the backdrop for Nas' lyrical genius. Probably my shortest review ever, but the only way to appreciate this album is to have it.

Download
Buy

Ryan Adams - Demolition (2002)

2007-10-28T11:57:00.000Z

Got my tickets for Ryan Adams back in Nottingham the other day so I've been listening to him a lot again. As a consequence I thought why not up an album, 2002's Demolition which is mainly made up of B-sides and songs which didn't make the cut for the first two-albums, but surprisingly (or unsurprisingly) the record is full of gems, highlighting why this period of Adam's career is regarded as his finest.
Beginning with clean-cut "Nuclear" Adams shows us a different style of song, not present on Heartbreaker or Gold which he revisits a couple more times to great effect. Between these simple rockers' are a varied bunch of brooding country classic and beautiful ballads which showcase Adams ear for melody. Possibly the highlights are the male-female vocals on "Tomorrow" and the plodding street-corner rock 'n' roll on "Tennessee Sucks". The latter in particular shows how well Adams can compose a song, and really bring the most out of each individual instrument.
So, if you're a fan of Adams early work, give this a try as it really is just another very good album, and not a random collection of outtakes!

Download
Buy

Fionn Regan: Cockpit, Leeds, Oct 26th

2007-10-27T13:41:00.000+01:00

Looking fairly timid as he entered the stage to the cheers of the substantial crowd you could be mistaken for thinking Fionn Regan was new at this. However, as soon he begins to play, you are immediately reassured that he is the real deal.
Starting slowly on his lone acoustic, fittingly illuminated in a warm orange glow, Regan eased his crowd in before welcoming on stage the rest of his band, assembled from various other bands including Babyshambles. Luckily, the bands performance was very unlike Pete Doherty's men and a tight rhythm section gave the songs the additional lift they needed. An additional percussionist added to the atmosphere and worked really well when he reverted back to the lone acoustic for a couple songs.
Regan's lyrics are filled with clever lines and on the whole, nice and upbeat which left the crowd smiling rather than staring at their shoes. As I was unfamiliar with him before the gig I didn't know what to expect from Fionn Regan but I guess now, I can see what all the hype is about.

Normal service will resume...

2007-10-24T00:42:00.000+01:00

Just posting to say that, very soon I will be back up to regular posting again so keep coming back. The past month or so has been hectic, starting life in Leeds and my university and although I've heard a load of great music I haven't been rushing to get it on the blog. That leaves me with a lot of cool stuff to review though, so hopefully you'll be seeing it all very soon! I have a request to put out there as well;

Ted Leo and the Pharmacists - The Tyranny of Distance

Josh x

Silversun Pickups - Carnavas (2006)

2007-10-14T15:10:00.000+01:00

With their thickly layered guitar and tight rhythm's the Silversun Pickups are a band that instantly catches your attention but the question is whether they can keep hold of it.
A four-piece hailing from California they got their most early gigs in all the famous L.A. clubs and began to get attention from there. With vocals from bassist, Nikki Monniger, and more often, guitarist, Brian Aubert, the psychedelic melodies are complemented by crashing drums and clever keyboard work, that often involves looping the single guitar to create a layered affect. In my opinion they are one of the best new live bands around, after their set at Leeds absolutely blew me away so aside from checking out this album...try and catch them in a venue near you.
Anyway, I digress. Back to the album. Firstly you will be struck by the riffs and drumming, especially on second track "Well Thought Out Twinkles" but if you listen deeper and further in, then you will start to notice everything that makes this band. The dual, harmonized vocals on "Little Lovers So Polite" collide beautifully with the hypnotic drumming and heavy riff. Haunting synth adds to the ever increasing number of pluses and be sure to check out the awesome bass and drums on "Waste It On".
So, while not a classic, this album shows that Silversun Pickups are a band to keep tabs on and here, they have a really good debut. Definitely recommended for those who are growing ever tired of the jangly Brit-pop that is flavour of the month.

Download
Buy

Band Of Horses - Everything All The Time (2006)

2007-10-06T13:21:00.001+01:00

Band Of Horses are essentially alt-rock with country and folk influences but saying just that could nowhere do them justice. They are one of those bands who sounds like many others, but still sound very individual and with this album they have a cool debut that's definitely caught the attention of quite a few. Songs range from faster paced, KOL style, rockers to lazy, slow, winding songs which remind you of The Shins and Iron & Wine. Personal favorites would be the quirky "Wicked Gil" and the stomping "Our Swords".

Download
Buy

The Departure: Cockpit, Leeds, Sept 28th

2007-09-30T13:54:00.000+01:00

Taking the best parts of Duran Duran and the rest from a lot of far cooler acts, The Departure’s earlier work certainly went down a treat, with old favourites such as “Lump In My Throat” and “All Mapped Out” getting the small Cockpit crowd moving. It was in the new material however, that the interest lied as they showed off a range of material from the forthcoming album, including latest single “Chemicals” and the rousing “Seven Years”. In these new songs lays a degree of pop appeal that the band never managed to grasp before, however brilliant and bleak their first release was.
The funky bass of Ben Winton and thick, layered guitar of Sam Harvey showed individual talent and this all tied together in a great sounding show. Front man David Jones crooned and leant over the stage with a certain degree of menace, which matched his sharp, witty lyrics but always finished with a smile as the band clearly enjoyed their warm reception.
Much has changed for the Departure since their first album, the loss of two members and a distinct shift in sound but sometimes change is for the better, and perhaps now they will get the attention they have always deserved.

Mates Of State - Team Boo (2003)

2007-09-20T16:59:00.000+01:00

Bearing similarities to Brendan Benson and many others this Husband-Wife duo produce a really full sound and all round interesting record, bursting with kitsch, fun tunes. With too much focus often being placed on their relationship status, I can't help but feel Mates Of State are a band being overlooked by many people who potentially, would love their work.
I haven't always been a fan of organ/keyboard sounds like the ones used but MOS seem to make it work and with clever melodies, make the sound very much their own signature. The use of the boy/girl vocal harmonies adds a classic touch which many are a sucker for while quirky structure keep the songs unique and make the album work very well in its entirety. This is real sugary sweet but sometimes, we all need a little sugar.

Download
Buy

Busy Times

2007-09-11T12:57:00.000+01:00

Just got back from Berlin on Friday night and therefore haven't had any posts in a while. Had an amazing time though, Berlin is a truly unique city with so much to experience and I'd recommend it to anyone, also the Circus Hostel in the Mitte was great with really warm and friendly staff so a big thanks to them!
Back to the blogging, I'm starting university in Leeds this Saturday so I apologise in advance for infrequent posting but things may be a little busy with freshers, settling in and finding a new job! I will keep going though, and once settled I can assure that the blog will be teaming with new stuff. Keep coming back, props to the other great blogs keeping the net interesting, and guys...start leaving some comments!!!
x

Carling Festival 2007: Leeds (Part 3)

2007-09-01T11:19:00.000+01:00

With the little known activity of sleep far lower on our list of priorities, waking up on Sunday proved to be a much more difficult task than previously. Despite that, we were off to the main arena bright and early for a spot of everyone's favourite pop-punkers, Paramore. Despite plugging the new album at a rate of about three times a minute, they were entertaining and managed to keep the crowd interested for their 30 minute set. After this we were struggling and ended up at the hands, or guitars, of Teenagers where my ears were sonically raped, so much that I felt violated enough after 10 minutes and had to leave. Continuing this trend a friend and I managed a whole song and a half of Good Shoes before we surrendered and left in search of a musical saviour.
Luckily, it was time for The Shins and they played a fairly rocky set on the main stage right in the blazing mid day sunshine to which I think 95% of the audience were smiling and swaying along to. Rightly so, as I thought they were excellent and really brought a calm and soothing vibe to Bramham Park. Bravely missing out crowd favourite "Caring Is Creepy" the set seemed to include material mainly from the 2nd and 3rd albums with my favourite being recent single, "Australia".
Deciding to opt for some alone time, my next visit was to the Carling Tent to catch Oxford's technical dance-rockers Foals. Really tight and full of variation in their songs, I was very impressed by this 5-piece and so it seemed was everyone else, with a overflowing tent moving to every beat. They didn't seem to miss a note and it was really cool to see a new band with such technical proficiency, a definite band to keep on your radar! On a friends recommendation I stuck around for Cobra Starship, a band I'd never heard of, and for a start I was pretty unimpressed. It was only when the songs moved from disco, to pop-rock that I became more interested and the members started to show a few more of their skills. Despite this, I think they may have trouble distinguishing themselves as anything more as another Panic or FOB.
Coming towards the end we quickly got over to the Dance Tent for a spot of "Bizzle Bizzle" and general fun times. Lethal Bizzle is a UK garage/hip-hop artist who has made significant inroads into the indie/pop markets, evident in his appearance at this years festival. A full tent was definitely enjoying the show and, even on my last legs, I did spend most of the show dancing like a complete idiot. It's a show I enjoyed, but not necessarily something I really listen to at home. Despite that, LB is someone you should at least check out.
With the whole crew reunited, I found myself in a good spot for Bloc Party on the main stage and they weren't bad at all, at least for a start. Mixing it up between the two albums and seemingly keeping the crowd entertained. It was only when I got home, and found out that they did exactly the same set at Glastonbury right down to the between song banter, that I felt slightly cheated! I mean, sort it out guys and show a little bit of charisma.
Taking the risky decision to shun indie behemoth The Arcade Fire, myself and a friend went to the half empty Carling Tent to see the significantly less hyped, Silversun Pickups. Sound wise, this band actually had the hairs standing on the back of my neck with the beautifully heavy, layered and looped guitar work. Backed up by solid bass, soaring keyboards and crashing drums the Pickups paint a musical picture much richer than most and they have some tunes too, with songs like "Well Thought Out Twinkles" and "Little Lover's So Polite" rocking the Leeds crowd. The band have an awesome stage presence too with two static figures left and right, leaving loads of space for the highly entertaining theatrics of drummer, Christopher Guanlao, and front man, Brian Aubert. While I expect the Arcade Fire were still working their magic upon the Main Stage we literally ran across to the NME, my lone attempt to get around the logistics of this horrible tent, in order to catch the start of Biffy Clyro. Both really excited about the Biff, they did play pretty well but there was something missing. I have to admit, I was really excited about seeing them so perhaps I am being extra harsh when I say they weren't quite as good as I expected. Still, they were better than most and rocked out especially with "Saturday Superhouse" and "Living Is A Problem" from the latest album.
Finally, cold, hungry but still wanting a little bit more, I searched out the huge flag my friends were now equipped with and found my place within the crowd for the legendary Red Hot Chili Peppers. Starting with lots of energy and some cool extended jams, everything was promising and the crowd, including myself, seemed captivated. However as more and more new songs displaced the favourites everyone was waiting for and the jams got longer, and less fluid it was in the air, that patience was wearing thin. On their last leg of an 18 month world tour, it was evident that the Chili's were tiring quickly and never was this more evident than when the encore started with the decidedly flat album track, "C'mon Girl", a complete let down. I know the pedigree of RHCP and in no way will this performance change my opinion of them overall, but it was disappointing that the festival had to end this way! Never mind, the madness of Sunday night quickly put any disappointments to the back of my mind and my Leeds experience was complete, along with the dirtiest burger I have ever received, just in time to eat while the sun rose again, signalling the real end of this amazing weekend.
Huge amounts of love to everyone who shared the weekend with me, x.

Set List
'Can't Stop'
'Dani California'
'Other Side'
'Charlie'
'Throw Away Your Television'
'Snow (Hey Oh)'
'Get On Top'
'Emit Remus'
'Don't Forget Me'
'So Much I Wish'
'She's Only 18'
'Right On Time'
'Californication'
'By The Way'
'C'mon Girl'
'Give It Away'

When Paul Weller found me

2007-08-31T19:12:00.000+01:00

Today I’m going to lose my “reviewing virginity” and who should I do it with but the god that is, Paul Weller.
Back in my early teens I was in a very dark place. I neglected the classics I grew up with. I cringed when forced to listen to Springsteen on family holidays (whilst secretly loving his music). Even Costello tapes were shoved to the back of my wardrobe.
Instead I adopted a disgraceful taste in music whilst attempting to define myself as an individual. Avril Lavigne was a favourite, Pink songs sang loud and clear and shamefully enough, I sometimes even pulled out a bit of Busted.
That’s before Paul Weller found me.
This epiphany took place when I was attempting to learn to play the guitar. (Something I soon gave up on realising I was royally terrible at it)
On being asked if I wanted to learn a Paul Weller rift, I committed a sin that I will regret to this day. Dare I say it? I shamefully replied with, “Who’s Paul Weller?” (I cringe at the memory) The look on my teachers face was enough to make me realise I had said something truly terrible and unforgivable. To not know who Paul Weller is a tragedy. I have come to realise he is one of the few artists who fully deserves to be where he is. Not many people have this.
His songs are delivered so effortlessly yet with so much feeling. It takes a lot for a song to touch me emotionally and I will shamelessly say at least half of his have done such that. His voice is distinguished, slightly husky at parts, a twang here a there, and an ironic light deepness to it.
I’m not just talking the classics such as “You do something to me”, although this is a classic for a reason.
On educating yourself on Weller you can take two paths. You can take The Jam road. This is probably a good idea yet I would say I personally prefer his later work as a single artist.
The other road is Stanley Road. As Josh has already said, Stanley Road is a “rich production, beautiful lead guitar work and vocal layering, all tied together by a tight rhythm section.” But aside from the musical technicalities, there is a lot of truth and sentiment in the lyrics that really hit a spot.
“Time Passes” is an all time favorite song for me. Its captivating combination of piano and guitar assist you through the song whilst the lyrics speak emotional truths. With other great songs such as “Changing Man”, “Gilded Splinters” and “Broken Stones”, I would have no qualms in saying “Stanley Road” is one of Paul Weller’s greatest productions.
If you’re however dying for more, have a listen to the album “Wild Wood”. “Sunflower” is a bit more upbeat whilst “Wild Wood” is defiantly more chilled. I would say “Wild Wood” is the more soulful album whereas “Stanley road” is more uplifting so it really depends on your musical preferences.
I would however recommend ending you Paul Weller journey with “Moon on your pyjamas”. With a title like that you just know it’s a corker.

Carling Festival 2007: Leeds (Part 2)

2007-08-29T21:58:00.000+01:00

Saturday morning and with memories of the Pumpkins still as fresh in the mind, as the dew on the grass, we were up and about early for the day's music. First up was the second half of The Pipettes and although it was hard to judge on a few songs, I think these girls coped well with the early slot, getting some early birds dancing to their Motown grooves. Searching for some undiscovered gems, we moved on to the Carling Stage to see fresh faced Nashville punk rockers, the Turbo Fruits. Blasting through a 30 minute set that included 3 chords, 2 ripped string vests and 1 lonesome blow up ball the kids tried their best and at times managed to sound at least a little like The Stooges. By the looks of it, time is on their side so maybe they'll be back again next year.
So, if we had waited 10 minutes longer for the mysterious "Hooks For Hands" we would have been presented with the greatest surprise of the weekend...a secret gig from Leeds very own Kaiser Chiefs, and, although I am by no means a huge fan, I have to say I would have love to have caught them. We moved on quickly, to the sunny main stage, and I had another chance to see The Long Blondes, another local band, who have risen to fame off a critically acclaimed debut album. They were again, pretty fun and almost marked a real start to the day in terms of music.
Next, I decided to venture off alone and I returned to Carling Tent for my first band of a planned double header. Blood Red Shoes were meant to just be my warm up but they turned out better than expected and their tight, edgy two piece rock showed an early ear for hooks and clever melodies. Next up was the one I had waited for, Frank Turner. Almost at the front, I was in prime position to sing, shout and jump my way through his charismatic and warm show. This is a guy who is writing some of the most interesting tracks in the singer/songwriter field and his live performance showed off the personality that is spawning such clever and catchy songs, all with his angry folk/punk edge.
After, with many friends going to see Maximo Park on the main stage I thought I'd come along as there was nothing else that caught my attention. This is a band I've never really been into, but in the live setting they really weren't so bad and all my mates seemed to have a great time dancing and singing to the hits! Interpol were next up on the main and I faced a major clash, them or The Bronx. After much deliberation, I went with my heart and ran off to catch LA's finest for my second occasion. They really didn't disappoint. This is a band which sweats and bleeds passion, a punk band I really believe in and the show was fucking awesome. Spending more time in the crowd than on stage, frontman Matt Caughthran, actually means it when he says he wants to break down the barriers between audience and band. For me, this brings so much respect, and after seeing several bands already profess such things and not really live up to their outlandish claims, it was a refreshing change. Racing through no end of hits like "Shitty Future" and "White Tar" (which I think I got to shout a line on!) the band showed that they meant business. For the former, he lead with the line;

"The bad news is here comes the next song. It's for all the psychopaths. It's feeding time!"

After which he dove into the crowd for what seemed like most the set. All that needs to be said about this band now is, if you want hard rock to believe in and to motivate you, look no further than these guys!
After that exhilarating experience, the fun didn't stop as Kings Of Leon took to the main stage. I've always loved KOL but this performance cemented their place as one of my favourite bands, they are the consummate rock band, a band at the height of their powers. With style, panache and truly brilliant songs they rocked through a set that lasted a little over an hour and took in material from all three records. Slowing it down, on tracks like "Fans" and the beautiful "Knocked Up", and then rockin' out again, with others like "Spiral Staircase" and "Four Kicks", Kings Of Leon are a band that deserved to be entertaining 60,000 smiling fans on that Saturday evening.
Finally, we sat on the grass for a more relaxed view of headlining act, Razorlight. As a big fan of the first album, but not its follow up, I was interested to see these guys, especially after they disappointed me back last year in Nottingham. Plus it was a good chance to just hang out with friends and chill. My overall impression of the set was that they were, not bad. I respect the fact that the songs they have written carry alot of emotion for millions of people and in that area they seemed to entertain their fans, but to me, the new material is a little flat and unexciting and this is highlighted in the live situation. Excluding 'those' two singles, I didn't hear anything that, was up to par with the songs from "Up All Night", the edgy, paranoid and essential debut. Personal highlights for me were when they dipped to the bottom of their relatively shallow bag of songs, to pull out classics such as "Rock & Roll Lies" and "Rip It Up" which did sound as good as when I first heard them. Overall then, they were better than in Nottingham, and maybe with a more creative third effort they'll be able to find another, more interesting, direction but on that Saturday evening they were thoroughly outclassed by everyone's favourite American band of brothers.

Set List
'In The Morning'
'Hold On'
'Golden Touch'
'Back To The Start'
'(Don't Go Back To) Dalston'
'Fall To Pieces'
'Pop Song 2006'
'Can't Stop This Feeling'
'LA Waltz'
'Leave Me Alone'
'Rock 'N' Roll Lies'
'Vice'
'America'
'Rip It Up'
'Who Needs Love'
'In The City'
'Funeral Blues'
'Stumble And Fall'
'Somewhere Else'

Carling Festival 2007: Leeds (Part 1)

2007-08-27T23:51:00.000+01:00

My first festival experience, beautiful weather, amazing friends and a brilliant selection of bands. Maybe I was blessed this weekend, but Leeds 2007 was just about perfect and here is my review of the weekend, musically and a little more.

Thursday was the day of arrival, and as we dragged our bags through the camp the size of the whole thing dawned on me. Have to say I was pretty impressed when we managed to get a beaut of a camping spot, right near a security tower in loads of space and in a place, that was dead easy to find. Downside was being in the "Orange funfair camp" which meant close proximity to an array of rides pumping out a mix of the star wars theme tune and chart house until the early morning, aka half past 4 or even later! We learnt to live with this and all was well after the first night. At risk of using too many private jokes and going on, I think I'll try and leave the social/friend commentary here and concentrate on the music...at least until Sunday night!

After a poor nights sleep, we arose early for the music on Friday only to be caught in the one logistical nightmare of the weekend, a massive bottleneck of people around the main entrance which meant being stuck for an hour and a half, and missing any acts before half one. My first show of the weekend then, was Billy Talent. They were much better than I expected and musically very sound although those vocals did grate on me a little bit. Still, a fun show and good way to start. After that The Used came on the main stage, and after a couple of songs I decided to leave with a couple friends and sample some of the other music. Unfortunately I stumbled across a pretty poor attempt at lad rock, named The Sunshine Underground and decided to return to the main for the rest of The Used and a chill in the sun. Bert McCracken made an early claim for most annoying frontman of the weekend with constant whining about parents, school, money etc so we all had a good laugh about that.
Next on were Funeral For A Friend, a band I liked very much a while ago, so I watched with a few friends, reminiscing in the sun, and ended up having a great time. By the end of the set I had restored alot of respect for this band and had my first good sing-a-long to tracks like "Juneau" and "She Drove Me To Daytime Television". Hunger kicked in, so I moved on again to grab some lovely Mexican (my favourite all weekend!) and have a listen to the Cold War Kids. I didn't hear the whole set, but they sounded better than when I saw them a couple months ago, and my friend Rick, who watched the whole set, was really impressed, again saying they had improved since the last time.
To the lock up next for some punk and a chance to catch the highly regarded Against Me! who had a huge VIP crowd watching including members of Billy Talent. I haven't heard much of this folk/punk outfit but they put on a really tight live show, which seemed very geared to those loyal fans. Something that was nice to see, even as a casual punter. Next up were the massively hyped Gallows, from London, bringing their blend of hardcore and classic brit-rock/punk to a full crowd. Energy levels were through the roof and despite annoying me a little, I can give credit to the band for thoroughly pleasing their fans, and winning some new ones. Special credit goes to the two guitarists for performing some epic Hendrix style, through each others legs maneuvers.
After this I had chance to buy some food, a lovely warm jacket (for a fiver!) and prepare for the main event, at least it was for myself. Slightly late, but completely captivating, The Smashing Pumpkins played a set, which took in new and old and seemed to please everyone who hadn't buggered off to see the Klaxons! Summed up best in one word, mesmerizing, the set seemed to span about an 1hr 45mins, actually longer than billed and included loads of hits like the big two "Tonight, Tonight" and an acoustic "1979". Starting with "United States" they bravely set out their stall, with grandeur and faultless musicianship. Some people decided to boo them during this opener, and pronounce Billy as a "bald twat", but they didn't really seem to understand the song at all so never mind. With the rest of the set its really a case of where do you start! Personal highlight for me was "Stand Inside My Love" but even that is at a stretch as the set worked as a single entity, pretty much perfectly. Chamberlain had his moments of glory and received a chant of appreciation during "Bullet With Butterfly Wings" which was clearly special. As for the new members, I thought all three were excellent throughout with Reyes having the spotlight on "Hummer" and Schroeder shredding throughout! Also, it must be said..."you probably would the bassist". On that rather coarse low note, it's time for me to continue catching up on sleep so i'll move onto Saturday tomorrow!

Set List
'United States'
'Tonight, Tonight'
'Tarantula'
'Starz'
'Hummer'
'Bullet With Butterfly Wings'
'Glass And The Ghost Children'
'1979'
'To Sheila'
'Today'
'Stand Inside Your Love'
'Superchrist'
'Doomsday Clock'
'Disarm'
'Heavy Metal Machine'

Lack of Posts

2007-08-22T12:32:00.000+01:00

Sorry for the lack of posts but I just lost my internet for a couple of days and now I have Leeds Festival! Anyways, if I get a request for something festival related then I could probably throw that up later and when I get back it'll be all systems go with my festival highlights and a return to regular posting. So...keep coming back, please!

Shame Video by Ingmar Bergman

2007-08-16T00:38:00.000+01:00

With the excitement building for Leeds festival the Smashing Pumpkins have been high on my listening agenda and tonight I found this cracker of a mini video for the song "Shame" my favourite from Adore, and a very poignant track.

Enjoy!

Smashing Pumpkins - Gish (1991)

2007-08-15T10:51:00.000+01:00

After my furore into the world of Paramore I think it's time
we returned to something a little more classic and here it is, with the Smashing Pumpkins legendary debut.
Like many I'm sure, I got into the SP through the Rotten Apples greatest hits and while that kept me satisfied long enough, after a while I had to dig back into the catalogue and Gish was the first studio album I checked out. From the first seconds of "I Am One" with its pounding drums, and ringing chord I was pretty certain that I'd be paid back for my interest. The next two tracks represented more familiar ground, as they were included on Rotten Apples, but the haunting feedback at the end of "Rhinoceros" leads you into the rest of the album perfectly. Of course, the guitar work from Iha and, in particular, Corgan is breathtaking as well, not just your standard solos. "Bury Me" and "Tristessa" follow the same vain, just brilliant rock tracks with abit of groove as well, courtesy of D'arcy and Chamberlain. However, around these songs, there are a collection of beautiful slower tracks of which my favourite would have to be "Crush",

"And this feeling shivers down your spine
Love comes in colors I can't deny
All that matters is love, love, your love "

As a whole this is just a top album where every track plays its part and for me, even though this was recorded 16 years ago, it still sounds fresh today.

Download
Buy

Paramore - Riot! (2007)

2007-08-14T11:43:00.001+01:00

With this one I totally risk losing the little bit of credibility I might have amassed so far, but never mind. Sometimes I'm just not in the mood for certain things, I just want a good solid rock/pop record to really chill out with or enjoy with friends and this is exactly what Riot! is. After the first album the band lost their rhythm guitarist and, no offence to the guy, but you wouldn't notice any difference as the music is tight, aggressive and engaging. Guitarist, Josh Farro, takes advantage of his lone role to put his only signature on many of the songs and this is refreshing to hear.
What Paramore, that so many other's fighting for the spot of coolest uncool band, is an energetic and star front woman like Hayley Williams. I've seen bits of live stuff on MTV and she definitely rises to live situation so hopefully I'll be able to catch these guys (and gal) at Leeds Festival. The two singles released so far, "Misery Business" and "Hallelujah" are catchy as hell with singable choruses and smart structures so chances are you've already had a sing a long to Paramore, whether you like it or not! To be honest though, I like it all!

Download
Buy

Paul Weller - Stanley Road (1995)

2007-08-10T20:22:00.000+01:00

Described by Weller himself as his best solo work and as something created when all the stars were aligned, Stanley Road is a classic album encompassing many of the Modfather's influences, from rock, through to soul. Famous alone for its singles, "You Do Something To Me", "The Changingman" and "Broken Stones", Stanley Road features rich production, beautiful lead guitar work and vocal layering, all tied together by a tight rhythm section. Many of the songs are very rousing and uplifting and, as you would expect from a true professional like Weller, the songs are finished with brilliant individual touches. Lyrically he is, as ever, on form and this is probably shown best in the first of those mentioned singles, a stunning ballad. As a fan on most of his work I guess I am bound to be a huge fan of this, but if you are someone who hasn't delved very deep into Paul Weller's catalogue, or even into British Rock in general, this would be a great place to start.

Download
Buy

Rancid - ...And Out Come The Wolves (1995)

2007-08-07T19:21:00.000+01:00

A classic album from these stalwarts of the punk rock scene. First I'll get my only criticism out of the way, this is perhaps a tad too long. Okay, that's it!
The band has always drawn comparisons with The Clash and this is ever present on this album, but what Rancid have drawn from British punk/ska is only a benefit to their sound. The organ contributions on tracks like "Time Bomb" hark back to the sounds of the Specials and really help to give the songs a little something extra. Throughout, the rhythm section is extremely sound and Matt Freeman throws in many great bass fills all over the record, showing how much he has pushed modern bass playing. To cap it off you have the pair of Friedriksen and Armstrong giving the songs the bite and passion, each in their own distinctive styles. However, it's hard not to imagine abit of Joe Strummer in there somewhere. Again, just another cool summer CD!

Download
Buy

Set Your Goals - Mutiny! (2006)

2007-08-03T18:29:00.000+01:00

Really cool album from this positive-hardcore/pop-punk band. Ah, I'm no good with genre's anyways but this band blends lots of styles together to make a punchy album full of great hooks, excuse the pun. The vocals are split between two frontmen and feature rousing choruses. Lyrics themselves are actually very clever and its hard to listen to the album without singing along (well I do anyway!), first track "Work In Progress" perhaps being the best example. The riffs aren't exactly covering new ground but they are fun as hell, suitably heavy and well varied. I would say through these summer months this record probably comes into its own so give it a listen now, get it in your car or something!

Download
Buy

Wilco - Yankee Hotel Foxtrot (2002)

2007-08-01T16:38:00.000+01:00

Thanks to Mewzique™ for this one, I decided to put up something that i've only just discovered myself.
This is a record with alot of critical acclaim so I felt somewhat obliged to give it a listen and I can see why people like it so much. Wilco's alt-rock sound seems to borrow much from the past and on listening to the atmospheric first track I was already to drawing comparisons to, long time favourites of mine, the Dandy Warhols. Songs like "Jesus etc" seem to show more pop leanings with great hooks and there are also folkier moments like "Radio Cure". I cant comment on this in comparison to their other records as I haven't heard them but I think this is well worth trying like I have done.

Download
Buy

Sleater Kinney - The Woods (2005)

2007-07-30T23:32:00.000+01:00

Picked up towards the back end of last year this was quite a random purchase for me as I dont own any other of the bands work and for a while I struggled with this one. Finally it clicked and from there on its been a happy relationship as I've realised this quirky, clever brand of rock 'n' roll is pretty hard not to enjoy. Duelling guitars and vocals pass through soft and heavy passages as songs go from one part to another in an instance. I especially dig the drumming in this one as it just seems so bouncy and a little loose, but in a good way as this fits well with the bands overall sound. Brownstein's vocals can be slightly harsh, but the whole record is bathed in a thick layer of fuzz so it is to be expected and once again, just another piece in the jigsaw.
This is a really fun record with a lot of depth to it and well worth a try for you passers by. Must be noted that this is definitely louder than your average LP, just in case you were unsure of how hard hard these girls rock!

Download
Buy

Comments

2007-07-30T18:20:00.000+01:00

I'm starting to have some visits to the page so guys and gals, leave comments! Anything is good, opinions, requests, recommendations and links to your own respective corners of the net.
In other news, a couple of my friends and I gave blood for the first time and, although a little foreign too me, it really felt good to contribute to such an important cause so if you have chance yourselves, go for it!

Elliott Smith - Either/Or (1997)

2007-07-28T21:13:00.001+01:00

Elliott Smith has been back in the press again recently for the compilation of B-sides, named "New Moon" that was released last month. I am yet to hear it, but I thought I'd focus here on my favourite of his albums from his tragically short, but illustrious career.
Either/Or was Smith's final release on the independent Kill Rock Stars label and it finds him in fine form and at a real transition point between his early and later styles. Several of the songs feature full instrumentation with Smith playing drums, bass, keyboards and electric guitars as well as his trusted acoustic. The sound, sometimes still stripped down, hints at earlier releases but the ventures into full instrumentation also add to the songs and show the direction Smith would go on his following albums.
Throughout, the melodies are breathtaking and very catchy while still retaining a timeless sound. No second of any song seems unneccesary and that is perhaps why I fell in love with this album, the songs just seem 'right' together. Each track has very different elements and the album is filled with both very haunting and, in contrast, upbeat moments. I almost always listen to this at night, and I think that's just the nature of it, slightly eerie and suited to the evening. I'd be interested if anyone else has found this?! Although it is very hard I would say my favourite songs are the trilogy of "Angeles", "Cupid's Trick" and "2:45am" which really take you on a journey through moods in the little over 9 minutes. The way the latter broods and builds is just beautiful, as the anger in his voice seeps through the delicate guitar. You should buy this one for that song alone but in truth this is a classic to me and could be for any fan of rock, acoustic and classic songwriting.

Download
Buy

Frank Turner - Sleep Is For The Week (2007)

2007-07-25T23:48:00.001+01:00

Semi-Acoustic Folk/Punk from this ex-member of UK hardcore outfit Million Dead. This was one of my slightly more random finds of the year so far and definitely one of the most refreshing. Frank Turner has a way with words and his lyrics, not only hit home in ways we can all to relate to but they also make you laugh;

"I've got friends who are bankers, and it's an easy rhyme to call them wankers"

He comments on all aspects of life, from his teens becoming a young punk to his current surroundings and balancing anarchy with his responsibilities. In all, this makes for an interesting combination and one that makes this such a facsinating listen. "Vital Signs" does stand out from the rest as a real anthem, but the whole album is solid. Variations in style, melody and pace mean that songs are easy to define and remember, unlike some in this genre. Finally, in the songs with a full band, the arrangements are fuller than you perhaps would expect and this benefits the album alot, making individual songs more memorable. Definately check this one out if you are looking for a different angle on the songwriter genre, its been one of my faves of 2007.

Download
Buy

Smashing Pumpkins - Zeitgeist (2007)

2007-07-22T23:49:00.000+01:00

As one of my favourite bands I had to up this as some point and make some conclusion on it. On first listen I was happy with the album, but saw it as just an okay hard rock album and not necessarily anything more. Of course, as we all know, one brief listen is rarely enough to judge and with time this has grown on me and probably will continue to. In comparison to the other Smashing Pumpkins releases this doesn't have the same groundbreaking sound as previous, but this is a new era with no Pixies, no Nirvana and the rest and therefore how "groundbreaking" it is, should really be put into context. The fact is, there are alot of really poor rock bands out there at the moment that would have probably never made it in the early 90's and against them, Zeitgeist really kicks some ass.
Songwriting is strong, I can imagine "That's the Way" and "Starz" being sung whole heartily at festivals this summer, and Chamberlain still commands his kit like he always did. The first half of the album, in particular, thunders through at terrific pace with "Doomsday Clock" setting the agenda. My main criticism would be that after "United States" the album doesn't seem to be quite up to par with the first half however, that track mentioned is a true rock epic, possibly level with "Porcelina of the Vast Oceans" and its refreshing to hear that Corgan can still produce those magical moments. In conclusion, this isn't Siamese Dream or Gish, but what we do have is a good rock album which shows us how some bands just have "it" and others, polluting our charts at the moment, just don't.

Download
Buy

Lucero - Tennessee (2002)

2007-07-21T23:14:00.000+01:00

I got this one after a recomendation, so thanks for that! Without the keys, the sound is more country and the songs seem slightly more downbeat and introspective. Upon my few listens, I like both albums equally but they show clear distinction and show off different aspects of the band's talent. My personal favourite on this album so far would be "The Last Song", which broods and builds up beautifully. Throughout the guitar work is excellent and the solo towards the end of this song combines so well with the vocals, reflecting the emotion of the song perfectly.

Download
Buy

Lucero - Rebels, Rogues and Sworn Brothers (2006)

2007-07-20T21:09:00.001+01:00

I thought i'd check out this band because i've heard them linked with the Hold Steady a couple times and while it may not be quite as good, i'm still pleased I did. A definate grower, this album has charm in bundles and is a classic example of the Southern Rock sound. Whisky-soaked vocals deliver great tales and these are supported by a tight and confident band. Keys thicken out the album and the variation between songs is alot more apparent after a couple of listens. At first the songs can sound a little similar but they quickly become more defined and I think there is something here for any rock/indie fan. I'll probably like this one even more in time.

Download
Buy

Minus The Bear - Menos el Oso (2005)

2007-07-19T22:13:00.000+01:00

Technical indie rock from Seattle which provides an interesting listen time and time again. The songs have definite hooks but with complex time signatures and clever musicianship this band definitely knows how to give their music real depth. In particular 'Pachuca Sunrise' and 'Fulfill the Dream' stand out, but it is difficult to pick tracks out from an album that works so well in its entirety. This could be for fans of many genres so give it a try and hopefully you'll like it as much as I do!

Download
Buy

Iron & Wine - Our Endless Numbered Days (2004)

2007-07-19T18:18:00.000+01:00

Iron & Wine is the musical name of Sam Beam, an acoustic performer based in Florida. I am a big fan of this kind of southern sounding folk/country style and lately, this album has been the soundtrack to my evenings. For me, whatever I may be doing in those evenings, it works great as I chill out. Sam Beam has a warm vocal and it is accompanied by beautiful melodies on his, often lone, guitar. Of particular note are 'Naked as we Came' and the country charm of 'Teeth in the Grass'.

Download
Buy

Modern Life Is War - Witness (2005)

2007-07-19T17:49:00.000+01:00

A unique brand of hardcore from Iowa, USA and a very worthy first post in my blog . Lyrically, vocalist Jeffery Eaton is dynamic and his delivery seems honest and genuine with an angsty mix of screams, shouts and clean vocals. This is set to a backdrop of epic and soaring riffs which show how different Hardcore and Metal can be. One of my favourite 'aggressive' albums and a definate download, trust me, my description nowhere near does this justice!

Download
Buy